↓
 
  • Noony’s Blog
  • About Noony
  • Extras
    • Essays
    • Flash Fiction
    • Poems

A Catherine Noon

Explore the Worlds of A. Catherine Noon | Bestselling Author

Header image
<< 1 2 … 90 91 92 93 94 … 102 103 >>

Post navigation

← Older posts
Newer posts →

Mai Madness! – Dreaming

A Catherine Noon

Dreams. The stuff of dreams. Dreamlike state. All of these conjure up images, but for each of us, those images are different. Your dreams and my dreams are very different creatures. All, though, are rich sources of material.

The first thing Giselle noticed was the sound. It was everywhere. Loud, like at a concert, but nowhere near as pleasant. The stench of diesel fuel filled the sidewalk, making breathing difficult. She found herself staring, fuzzy-headed and mesmerized, at the engine grate of the bus nearest her. The paint lay thick, gooping over the openings, making the neat lines uneven. The yellow-orange wasn’t quite a natural color, more like a vivid mold than anything healthy.

She looked up at the sky, away from the bus, and found the color of the clouds matched the bus. They lay thick and low, almost close enough to touch. They loomed overhead, stationary, big and billowy like rain or thunder clouds but angry and jaundiced. She shivered. No one nearby spoke, so she sat down on the gritty sidewalk and took out a sandwich. The bologna was boring but familiar and she ate in silence, staring up.

The road made no noise. No cars drove back and forth, even though it was the middle of the afternoon. With the sky the way it was, the blacktop seemed more vivid than usual, the yellow and white lines bright and clear. She craned her neck to see around the side of the school, up the hill toward the cemetery, but no cars came from that direction. Nothing from downtown, either. Not that there was much “town” to be “down,” but it wasn’t ever this silent.

She finished her sandwich and stuffed the empty plastic bag back in her backpack. No teachers stood nearby and, when she looked, the driver’s seat of the bus nearest her was empty. No adults anywhere. She stood and brushed off her pants, removing gravel with her palms and then brushing her hands together. She slipped around the side of the building and took off across the lawn toward the hill, not looking back. No one commented, no shouts interrupted her. She glanced back once when she reached the fence, but no one saw her.

She followed the road as it wound up the hill toward the cemetery. The old Indian graveyard stood off to the side, back from the road, while the White cemetery ranged back and forth along the fence by the street. Marble monuments vied for attention among rows of flowers and manicured, small trees. The Indian grounds, by contrast, were silent. Oaks and several cottonwoods waved their branches among the Indian grounds, the graves silent and unmarked. Giselle wandered in past the small gate that proclaimed “Indian Burial Ground, No Trespassing.”

She found a spot next to a huge cottonwood, its trunk so thick she could barely fit her small arms even halfway around it. She sat down with her back to it, the tree between her and the street with its school and too-silent lack of cars. She pulled out an apple and took slow bites out of it, savoring the sweet flavor.

A sudden flash startled her. She looked over her shoulder and had to squint. The entire sky that she could see glowed argent, hurting her eyes. Her apple dropped to the mulch as she scrambled to her feet and ran toward the gate. She tripped and bounced off of something and rubbed her eyes. Nothing was there.

She took a step forward and ran into what felt like an invisible wall. She hit so hard, and was off balance, that she rebounded and landed on her butt in the leaves and bracken. She got to her feet and tried to step forward again, but she couldn’t pass the gate. When she looked up again, a wave of debris flowed toward her, borne on a wind she couldn’t feel. She gaped a moment or two and then turned to run. She fell over a bush and landed next to her backpack.

When she looked back, in terror of being buried by the wave, she watched it break in two and flow around the gate, missing the entire burial ground. She watched as it went overhead, missing the tops of the oaks and cottonwoods. She could clearly see bits of trees, garbage, even a tire. It all whirled past with no sound, no scent, nothing but the visual. She got to her feet and walked to the gate, stopping short before she reached it. The wave flowed past, unchanged.

She turned back to her pack, bemused, and rummaged. Her can of Diet Pepsi was warm now but she opened it and drank gratefully, thirsty for more than just beverage. She stared up the hill at the steady march of mounds and wondered how far back into the trees the burial ground went. She stood, heaving her pack onto her back, and set off into the trees. As the afternoon wore on, the flow of orange and yellow overhead slowed, but Giselle wasn’t interested anymore. She had a forest to explore.

Mai Madness! – Early Memories

A Catherine Noon

Memory is a tricky thing. We ‘remember’ events, but our mind can change those recollections so that they have no bearing on fact. Eye-witness testimony, for example, is notoriously unreliable. Three people can witness the same event and have three different stories about what happened. Strange, isn’t it? Yet we can use this tendency for Story.

From Exercise 2, Chapter 1: “Two to three pages. Write down your first three memories. Can you make a story out of any of them? Try. Even if you aren’t sure what you remember exactly, keep going. Imagine that you remember more than you do. Expand and rewrite in the third person and forget it’s you. This could be precious material for you. Renowned psychiatrist Alfred Adler thought that first memories reveal the psychological leitmotif of your life. Objective: To begin to write stories that deeply matter to you.” (Novakovich, Fiction Writer’s Workshop)

Bill arrived home late. He could hear Anne in the kitchen, cooking again. That was all she seemed to do these days. Ironic, really – when they’d moved to San Francisco, they’d tried out all the new restaurants. Seafood, Chinese, French… it didn’t matter. They tried everything to see what was good. He’d gained weight and so had she. But instead of letting that go, or walking more, she got obsessive. Refused to go out with him anymore and stayed home to cook.

It was a good thing she could cook, or things could be a lot less pleasant.

Still, he missed the restaurants. Scoma’s, in particular, was his favorite. A little touristy, down on the wharf just north of Pier 39, it nonetheless boasted some of the best fish in the city, and their Lobster Newberg was to die for. He wondered if he could sneak a visit… He did have a client meeting coming up. Maybe he could convince Johnson to go there with the client for lunch. Lunch wasn’t dinner, by any stretch, but it was at least in the restaurant.

“Hi, honey! I’m home!” he called, hating the trite expression the minute it was out of his mouth.

“You sound like Mr. Cleaver,” Anne complained, coming to the door of the kitchen. “Here, try this,” she ordered, thrusting a spoon full of something white with floaty bits. They jiggled and swooned as the spoon came toward him and he stepped back, purely out of reflex. “Oh, Bill.”

“Well, I don’t want to get it on my suit!” he protested. He came forward again and sipped at the stuff. “This is good!”

“Well, don’t sound so surprised, then,” she snapped and disappeared back in the kitchen.

“What is it?” he called, setting his attaché case on his desk chair.

“Bouillabaisse, can’t you tell?” She sounded irritable.

He sighed. It was going to be one of those nights. “Yes, dear. It’s very good.” He wondered if Scoma’s made it? Then he flushed, embarrassed at the disloyalty.

“Can you take Sam out?” She sounded absentminded and slightly muffled. A moment later he heard the oven door close and realized she must have been speaking into it.

“When did he go out last?” he countered, eyeing the couch longingly.

“A few hours,” she said vaguely, starting the water in the sink.

“Oh, Anne,” he sighed, visions of a nap evaporating. She didn’t hear him over the water. He walked through the office, past the kitchen and up to the gate in the hallway. “Hi, Sam.”

Sam jumped up and down, his back feet stationary while his whole front vibrated. His tail thumped the wall rhythmically and he moved his mouth as though talking even though no sound came out. Bill grinned, the sight of the dog’s antics cheering him. He pulled the leash off the hook next to the dog gate and Sam went wild, spinning in circles. His claws scrabbled against the carpet and his tail wagged hard enough to fall off.

“Sit, Sam,” Bill commanded.

Sam sat, but whimpered in agitation. His fur vibrated as his muscles clenched and unclenched and, as Bill bent over to slip the harness under his chest, he jumped up to catch Bill with his tongue.

“Uch!” Bill responded, wiping his face with one hand while he clipped the harness with the other. “Sit, Sam!”

The dog, never having moved from the sit, wagged his tail harder. Bill surrendered and scratched him behind the ears. “Come on, old son. Let’s get your walk in.”

“Grab the mail too, honey, please?” Anne called from the kitchen.

“What did you do all day?” Bill grumbled, fumbling in his case for the keys.

“What?” she called over the water.

“Nothing, dear!” he shouted back. He winked at Bill and opened the door. The dog, ecstatic, bounded outside.

Mai Madness! – Three Observations

A Catherine Noon

Another one from Mr. Novakovich. I like this one, because it’s like painting a picture with words. More like a sketchpad, really; but it helps me to focus my attention on details around me and to realize there are stories always going on, if I pay attention.

From Exercise 2, Chapter 1: “Three paragraphs. When you go out to a restaurant or a bar, jot down your observations in a notebook. In one paragraph, describe a loner’s looks and behavior. In another, a couple’s looks and interaction. In the third paragraph, describe how a waiter or a bartender communicates with the customers. (You could do a similar exercise, jotting down your observations of people in a grocery store or at a street corner). Objective: To gear up your observations of the world around you toward writing.” (Novakovich, Fiction Writer’s Workshop)

He sat alone. Dressed in black slacks and a grey long-sleeved t-shirt, he seemed out of place in the late-night bustle of the diner. Most of the patrons were drunk or had been so at one point that evening. They ate to stave off the munchies and drank coffee in the vain hope of appearing sober. It didn’t work, but the coffeepot was refilled four times in an hour. He just sat there, by himself in a booth that could seat two people side by side, and drank a soda. His food, a cheeseburger and fries, congealed slowly as he ignored it. He watched the people around him – a man and woman, just out of a theater and still dressed to the nines; a group of young adults from the university trying to appear less inebriated than the others; two women having some kind of intense argument at a table in the corner – he studied all of them like it was an assignment, or he was a foreigner, some kind of alien alert for cultural clues. He sat back and cross his legs, one foot bobbing slightly, the Nike logo flashing in the harsh overhead lighting.

There were only two of them, but they gave off enough energy that it could have been several people occupying the booth. The waitress avoided them and, after a while, so did the bus boy as he made his rounds with the coffee and decaf. They bent close to each other, eyes snapping. The one on the left tossed her mane of brown hair over one shoulder impatiently, as though its presence annoyed her. Her eyes, a hazel dark enough to be brown unless the light caught them right, were a little red in the corners and shined a bit with unshed tears. Her lipstick, once pink and bright, had faded and made her lips seem naked in contrast to the green and blue eye shadow and plum color on her cheeks. A necklace with a clear stone hung between her breasts, offsetting her pink dress. She wore no stockings, just pink heels that closed with delicate straps. Her companion wore faded jeans with a white halter top and had short, spiky blonde hair. Her nails were a dark brown and cut short, which just offset the powerful hands. Muscular and fit, she dwarfed several of the men in the dining room – not by size, because she wasn’t all that tall, but in athleticism. Her face, devoid of makeup, glowed with a flush of anger. She gestured as she talked, her hands moving back and forth around her coffee mug.

The waitress moved around the dining room efficiently, collecting a plate here, refilling a water glass there. Her nametag said “Joan,” but she looked like a Marjorie or Louise. She checked her hair and lipstick in the reflection of the silver fridge behind a long counter and slipped a small silver cylinder out of her apron. Her lip color went on smooth, a glossy violet that set off her brown eyes. She fluffed her hair and went back to her rounds. She never stayed longer than necessary to collect orders and check on beverages, there but not there. No one had any time to complain, but no one got to know her, either. The man sitting by himself in the booth made for two watched her, never looking directly at her, but head always turned so he could sneak peeks. She never spoke to him, just refilled his soda a couple times. She avoided a table of two women arguing, interrupting just long enough to get their order and then set it on the table – two grilled cheese sandwiches, fries, and a side of ranch. She didn’t look twice when the blond one dunked the corner of her sandwich in the dressing and took a bite, just refilled their waters and went about her rounds.

Mai Madness! – From the CTA

A Catherine Noon

Mai Madness!

For those of you who have followed my blog, you know I participated in the March FADness competition last year (Flash-A-Day). The challenge was to writea a story a day, from between 500 and 1,000 words. I had a thought to do something similar this month, and Tilia Linden and I discussed it and she offered to help provide some prompts. I’m not keeping to the word limit, necessarily, as some stories will be shorter.

So, over the next month, read along as I play with Story and have some fun! If you decide to write your own stories based on the prompts, please provide a link so I can come see!

Enjoy!

Here’s the first one: This is actually based off some work I did with a book by Josip Novakovich, called the Fiction Writer’s Workshop. Excellent book, check it out. This is from Exercise 1, Chapter 1:

“One page. According to Henry James, a writer wrote a novel from a glimpse of a seminary students’ dinner party. Write a scene of a story from a glimpse you have had a group of people – in café, zoo, train or anywhere. Sketch the characters in their setting and let them interact. Do you find that you know too little? Can you make up enough – or import from other experiences – to fill the empty canvas? Objective: To find out if you can make much out of little.” (Novakovich)

Untitled, From the CTA (Chicago Transit Authority, commonly refers to the trains but can also mean the bus service. In this context, it’s the elevated trains)

Bobby ran and blocked the doors from closing. “Come on, guys, hurry up!”

“Please do not block the doors,” the conductor intoned over the loudspeaker.

Bobby blushed and waved at Tammy, Lilly, and Faruk. “Come on!”

Faruk almost tripped coming across the platform and Lilly let out a loud peal of laughter. They all clustered inside the door together, and the rubber edges whooshed shut. The train started with a jerk and Tammy fell against Bobby.

“Sorry!” she gasped, nearly breathless.

Lilly laughed loudly again and flounced across the aisle to the other door. She bounced off the partition and threw her backpack down. “I’m tired,” she announced to the train in general.

Bobby privately felt embarrassed but he didn’t say anything. A businessman standing nearby caught his eye and looked away in disgust. Bobby felt heat flame into his cheeks but he went over to stand by Lilly.

Faruk followed, but Tammy stayed by the first set of doors, staring out at the buildings zooming by. “Wow,” she murmured, mesmerized.

“Tammy!” Faruk hissed, gesturing sharply.

After a moment, Tammy turned and moved over by Faruk. “What?”

“Quit being so obvious!” he snapped.

Lilly laughed at that, startling Bobby. She sank down onto her backpack and Faruk flopped down next to her. Bobby looked up and found a woman dressed in a grey suit staring balefully at them. When she felt Bobby’s eyes on her, she glared at him and the looked back at her book, disapproval on her face.

“Guys, maybe you should stand up,” he muttered.

“Don’t be silly,” Tammy countered airily. “I’m comfortable. Whee!” she squealed as the train went around a curve, throwing the passengers around a little. She fell to one side but caught herself and laughed.

Faruk pulled her upright with a hand on her shoulder and they leaned together, whispering. Tammy stared out the window.

Bobby edged over to the door next to Tammy. “Are you okay?” he murmured.

It took her a moment to look back at him. “Maybe I had more than I should have,” she told him thoughtfully.

“Shh!” he retorted, glancing around to see if anyone was listening.

Opera Gloves

A Catherine Noon

So, I joined Weight Watchers. I decided to make milestones for the celebrations, and I’m celebrating my first 5%! I’m so excited. I purchased two skeins of Sock Ease™ yarn from Lion Brand in “Red Hots.” It’s beautiful!

I will say it’s more orange than I was thinking it would be (which isn’t bad, just surprised me). It’s very Autumnal in flavor and I think will look really nice with summer-tanned skin (not that I tan a whole heckuva lot, but hey).

I’m going to make a pair of opera gloves that are fingerless. I’m thinking I’ll have partial fingers go to about the middle knuckle, then have the glove go all the way up to cover the elbow and end in some pretty ruffles. I’m just swatching right now, but I’ll post more as the design comes together in my head.

These are double-pointed needles from Brittany, size US2 (2.75 MM). I want to like them, but I find them too bendy and broke one while making a sock. I’m going to get some Crystal Palace (first I’ll swatch with my CP 3’s and see how it looks, I may just use them). I am also planning to try some metal needles for the really small sizes, 4 and below, because the natural ones just seem to be too fragile when they’re that thin.

Box Loff – The Grand Finale!

A Catherine Noon
I finished my first needlepoint box! I’m pleased with it. To recap, I used a simple overdyed yarn, worsted weight (double DK weight) for the needlepoint and a plastic frame cut to size. I learned a lot putting it together and like the final look.

Here is the box completed and closed. There’s a lip around the bottom so the lid sits snuggly down over the bottom, making it look like a solid cube. In fact, two people I’ve shown it to couldn’t figure out how to open it at first!

Here’s a view with the top and bottom separate. You can see how deep the box is in this shot. It is three inches square, which is a lot larger than I thought at first.

One of the key learnings I took away from sewing the pieces together was this: at first, I used one horizontal stitch, then a diagonal stitch from the same square on one piece to the next square up on the other piece. That looked good but I didn’t realize it was canting the pieces sideways by one square, which threw off the finished design. I’ve shown that below so you can see what I’m referring to.

To fix it, I just placed the stitches two in each square horizontally. I was worried it wouldn’t have enough coverage to conceal the frame, but it worked just fine – as you can see from the pictures.

The next box will have actual stitch patterns using different textures of thread and yarn. The suggestions I saw in the book I’m using call for Paternayan crewel wool and perle cotton, which look nice together. Pix soon!

The Artist’s Way, Session III

A Catherine Noon

We are starting our Artist’s Way workshop, Session III, over at the Writer’s Retreat. I’m excited. I find that I create more, both in terms of writing and textile arts, when I am working through the exercises. The focus on play is enormously helpful to me.

I think that living in a Puritanical culture really drums it into our heads at a young age that play is frivolous. It’s sad. Robert Louis Stevenson even felt so, and wrote an essay, “An Apology for Idlers.” It’s a fun read. In it, he postulates that ‘idlers,’ as he calls it, have time to sit and think about life and philosophy, which he feels is a noble pursuit. The endless questing after more things to do is, in his estimation, one of the ills of society.

I think he’s right.

I also think the idea “keep the drama on the page” is useful to us, particularly ‘us’ artists. We are creative beings and that creative impulse needs expression, either in the world or on the page (or canvas, or stage…). It’s when we don’t create that we are at our most poisoned; bludgeoned by duty, seen to be virtuous, we are instead hollow shells.

So take a moment to think about your art. What is it? Is there some small piece of it you could play with today, just for fun? Even for 15 minutes?

Box Loff!

A Catherine Noon
As some of you know, I’ve recently started playing with fabric boxes. Here is the bottom of my latest creation, Earth Meets Sky.

The bottom of the box has a lip, visible in the picture; the lid will fit over the entire piece and be flush against the lip.

Here is a detail of the box. I used a simple overdye yarn so I could concentrate on the construction; but next time I plan to use more embroidery design. I’d like to make boxes in other sizes, as well as a drawer liner for my desk at home (to house things like paper clips and stuff).

Several people have asked me how the box is put together. Here is an image of the bottom being worked. First the designs are laid in, and then the box is sewn up. You use simple plastic canvass from Michael’s or JoAnn’s (which has the benefit of being cheap!) and can use any yarn or thread you like. This yarn is a simple worsted weight (double DK) that cost about $2.00 USD a skein (which would make a LOT of boxes – smile). The pattern is a simple tent-stitch, I just varied the rows by covering one or two squares.

Wiley Wednesday

A Catherine Noon

Come visit the Writer’s Retreat Blog for our regular Wiley Wednesday feature, this week penned by yours truly. Enjoy!

Fuzzy Shawl

A Catherine Noon

My lovely sister in law gave me yarn for Christmas (which is a little like giving crack to an addict, but there you go). Two of the balls are this really fuzzy tribble stuff that have a variegated black and grey colorway with little silver sparkles. It’s fun stuff. I decided to make a triangle shawl with it, since it’s a little scratchy, that way I can wear it over other clothing.

Here’s the progress so far. I’m going to have to switch to circular needles shortly, since I’m running out of room on these. As you can see from the tip, I was adding four stitches every other row – a make one on each edge and a yarn over in the middle once the lace pattern started. I decided to leave off the make one, so I don’t run out of depth (since I only have the two balls). It makes a pleasing sort of rounded heart edge on the point that I like.

This detail picture shows the lacy bit, which is a little silly with such a textured yarn but I like it. Bonus points if you can spot the error!

Post navigation

← Older posts
Newer posts →
©2026 - A Catherine Noon - Weaver Xtreme Theme
↑